All posts by Stephen Martyn

Paint Out Norwich

It’s always nice to have an excuse to get out with the painting gear and actually do some work on location. So often, pressures of time or weather mean that I end up working from photographs not actually in front of the subject. Not that I mind working from photos, there’s a lot to be said for starting with one and then creating an artwork out of it that bears only a passing resemblance to the original photograph. The photo just becomes the kickstarter of your inspiration. However, I digress.

Painting of Indian market street
Early Morning, Agra, India. Watercolour 22ins x 15ins.

On the 22nd and 23rd October I shall be in Norwich, a fine city, to take part in Paint Out Norwich. An open air painting competition which is part of the autumn Hostry Festival at Norwich Cathedral. Sixty artists applied to take part, and thirty were selected. We shall step up to our easels at 9am on the morning of Wednesday 22nd and there will be four three hour sessions over the two days. Each session will see the artist working at a different location, so I will get round four of the seven that are on offer. The sessions will be 9am to noon and 2pm to 5pm each day. At the end of the competition all work will be judged and there are some nice cash prizes up for grabs. Following on from that there will be an exhibition of the work for the remainder of the Hostry Festival, until the 2nd November I think.

Having recklessly accepted this challenge, I thought that I’d better brush up, so to speak, on my cityscapes. Here is one that I did recently. No, not Norwich, Agra in India. And no, I didn’t paint en plein air, that would risk being mobbed. But if you saw my photo you would find it very different in mood and lighting to the painting. Wish me luck and do come to Norwich to cheer all the artists on. The public, and the media, are encouraged to look over all the artists’ shoulders. No pressure then!

You can find out all about the event, the artists, and the locations at the website paintoutnorwich.org

The Skies of Lindisfarne

I’ve been away from the computer for a couple of weeks, as we have been off hiking in the Welsh borders. Offa’s Dyke National Trail is about 180 miles long, and stretches from Chepstow in the South to Prestatyn in the North. And yes, Margaret and I have trodden every inch of it!

Quite a strenuous walk, over sixteen days, and not much time to sit with a sketchbook, although I carried one all the way. I did take lots of photos though, so there might be an Offa’s Dyke painting in due course.

painting of lindisfarne island
Lindisfarne Island. Watercolour 15ins x 11ins

Meanwhile, you can get a flavour of the landscape we encountered from this watercolour which I recently completed as a commission. The island of Lindisfarne lies just off the Northumberland coast and can be reached by a causeway at low tide. The island is topped by the distinctive Lindisfarne Castle, which I made sure to leave as light against the dark of the brooding sky above. Note that the clouds in the sky and the patterns on the land both lead the eye to the focal point of the composition, the castle.

When walking in Wales we crossed many a high place and saw many a castle. Fortunately, the skies were rather more benign than the one I painted for Lindisfarne, as we only had a few minutes of rain during the whole trip. Can you believe that!

More sketching

You might remember that my last post showed a group sketching at Castle Rising, with everyone peering into the distance at – what? Well, as you can perhaps see from my own demonstration sketch, it was a distant church that could just be glimpsed between a couple of trees.

Sketch of church near Castle Rising
St Felix church, Castle Rising. Pen and wash sketch on Langton rough paper 12ins x 9ins.

That’s the great thing about painting on location. If there’s a tree in the way, just take it out, or move it to one side. Here, I’ve attempted to make an interesting sketch by using several simple devices. I ignored the small trees that were at the edge of the field and let the eye go through to the church, which I emphasised by making it a little bit larger than it actually appeared, and used the pen to give it a distinct outline. I made sure that it made a good light to dark contrast against some trees behind it. I painted quite a lively sky, and then finally added some interest to the foreground with a few dry-brushed marks on the green field.

All very simple, and somehow much easier to work out when you’re actually on the spot rather than working from a photograph. Why not get out with a sketchbook today!

Fill your Sketchbook

A week or two has rolled by since I last posted, so you may wonder what I’ve been doing. Painting yes, but mostly decorating, I’m afraid. We have had some building work done here and then, in the middle of it all, we had a leaking water pipe and half the house was flooded!

However, despite all adversity, I did tutor a very pleasant weekend workshop at West Norfolk Arts Centre at Castle Rising. Near King’s Lynn and just a short drive from my Dersingham studio. A nice bunch of artists and, despite a few showers, we did some good outdoor working, particularly on the Sunday.

Participants on my sketching workshop
What are they all looking at? Some of the group on my Fill Your Sketchbook weekend at Castle Rising.
Castle Rising demonstration sketch
A pen and wash sketch in Castle Rising churchyard. 12ins x 9ins on Langton rough paper.

Here you can see the eager group, staring a some mysterious subject in the far distance, and also one of my demonstration sketches. I’ll show you the mysterious subject another time, but this demo was done in the churchyard near the Arts Centre, and features the Lych Gate, framed by a big tree. It took about half an hour to do, maybe a little less, which I feel is what sketching should be all about. A quick snapshot of the scene.

One of the participants on the workshop was our old friend Jane Ford from Lincolnshire, an excellent artist and cartoonist. I remembered another sketching workshop back in 2008, where the weather was also an issue, and from which Jane produced this fine cartoon which says it all!

Cartoon by Jane Ford
And now for some relaxing sketching in the fresh air! A cartoon by Jane Ford, based on my Bircham sketching workshop in 2008.

Playing with colours

At my recent exhibition in King’s Lynn Arts Centre, one visitor turned out to be an American watercolour artist, Greg Forde. We had an interesting chat, particularly about different manufacturer’s paints, and Greg kindly suggested that I might like to try some of the Daniel Smith colours that he has been using. For those of you not familiar with the brand, Daniel Smith watercolours are quite new to the UK, but are now stocked by several on-line art shops.

As a result of our chat, Greg came over to my studio yesterday and we spent a very pleasant couple of hours just playing with colours. For both of us it was a nice opportunity to just be in the studio, not feeling that we had to create “a painting” but just trying out different pigments. Great fun, all artists should spend some time just playing!

Greg has quite a collection of Daniel Smith watercolours, and a fair few Schmincke ones too (a well known German brand). I had a good try out of both, and found it fascinating the subtle differences between the same pigment from different manufacturers. There were also some new pigments to try, some with such exotic names as Tiger Eye (a rather disappointing muddy brown). There are around 240 different colours in the Daniel Smith range, so this was only a taster session.

Daniel Smith watercolour test painting
Playing with Colours. Daniel Smith watercolours on Arches 140lb HP paper. 14ins x 10ins.

Overall, I found the Daniel Smith range to be of excellent quality, with colours probably slightly more vibrant than traditional British manufacturers such as Winsor and Newton. Would I use them? Well, maybe a few colours – I particularly liked Indanthrone Blue, for example. Why not try them for yourself, you can get tester cards of the colours, where you get a “dot” of each pigment to try out. Several suppliers sell them, including Ken Bromley Art Supplies and the SAA. Have a look through the range on the Daniel Smith website too.

During my studio session with Greg, I produced this “playing with colours” landscape painting, which included Daniel Smith Indanthrone Blue in the sky. I am very grateful to Greg for bringing his art-box over to the studio and just letting me loose with his paints. Thanks Greg!

In a Different Light

It’s back to the Arts Centre for me, as having just finished my run there with my solo exhibition Stephen Martyn at 21, I am now participating in a mixed exhibition showcasing the work of the West Norfolk Artists Association. It’s a good show too, with around 130 works by the members filling three of the galleries at King’s Lynn Arts Centre.

large watercolour painting of King's Lynn
In a Different Light – King’s Lynn 3. After the Rain. Watercolour 29ins x 21 ins.

My own work in this show can be seen here. It’s a large watercolour of the view of King’s Lynn from a bridge over the River Ouse. In a Different Light 3 is one of a series of three paintings of the same composition but with different light and weather conditions. These three large works formed the centre piece of my recent solo show.

Do try and get along to the Arts Centre to see the current WNAA exhibition. You will see some great work by some of the areas’s leading artists, in a huge variety of media and styles. Paintings, prints, photographs, tapestry, sculpture, and much more. Open every day 10am – 5pm until Saturday 26th July, although note that the galleries will be closed on Sunday 13th, and open from 2 – 6pm only on Sunday 20th. You can even have a cup of tea or coffee and a piece of cake in the pop-up cafe! See you there.

A couple of Golden Oldies

Well, my exhibition has had its two week run and it seems to have been a success. There were plenty of visitors who made some good comments about my work. And yes, a few paintings were sold too!

Something that surprised me was the amount of interest that my early paintings stirred. In particular, this work from around 1995 entitled The Wildfowler was so popular that I had to start making prints of it. If you would like one, just contact me. They are £25 unframed or £45 framed, but unless you can collect the framed version from the studio here in Dersingham it would be better to order the unframed one, which is much easier to mail. Postage within the UK costs £3.

Another early work, which I did at the same sort of time as The Wildfowler is this view of Appleton Water Tower, near Sandringham. At this early point in my career I had already developed a love of simple subjects with a very limited palette of colours. Both these works are painted using Cobalt Blue, Raw Sienna and Burnt Sienna.

The Wildfowler painting in watercolour
The Wildfowler. Watercolour c. 1995. 15ins x 11ins.
Appleton Water Tower
Mist at Appleton. Watercolour c.1995. 15ins x 11ins.

From the Exhibition – Four from the North – Sunday 15th June

Here are some more paintings that I am currently showing in my Stephen Martyn at 21 exhibition. They are all scenes of the Northern England landscape, where I love to go hiking and have done so for many years.

Catbells from Skiddaw is a well known Lake District view from the summit of one the the highest peaks – Skiddaw, or Skidder as the locals say it. A long old haul up to the top and a very warm day when Margaret and I ascended this peak. Great views though. I took some photos because there were too many flies buzzing round on the summit for comfortable sketching. Why so many flies on the top of a mountain? Probably someone dropped their jam sandwiches!

painting of Catbells, Lake District
Catbells from Skiddaw. Watercolour 28 x 18cms.

Painting of Rain Clouds over Ingleborough
Rainclouds and Light – Ingleborough. Watercolour 33 x 25cms.

Painting of Ladder Stile
Ladder Stile near Ingleborough. Watercolour 50 x 37cms.

Painting of Great Shunner Fell
The Pennine Way at Great Shunner Fell. Watercolour 67 x 50cms.

Rainclouds and Light says it all. A wild day, with Ingleborough in West Yorkshire in the distance where, maybe, the sun is shining. On another trip to Ingleborough, in 2004, I sketched this ladder stile near the village of Clapham. This painting, made in the studio, was later selected for exhibition by the Royal Watercolour Society in London.

Finally, a view of Great Shunner Fell which is a huge hill on the Pennine Way. It forms the link between Wensleydale and Swaledale and makes a grand walk if the weather is good. Which is rarely, of course! I walked the whole length of the Pennine Way in 2005 and, nine years later, I think my feet have just about recovered.

From the Exhibition – Friday 13th June

What did I say about posting every day? Ah well, it’s been busy here, we’ve had plenty of visitors to the exhibition over the last few days and there have been some nice comments. The Shakespeare Barn is a beautiful gallery space and the work does look good.

As promised, here are a few more paintings from the show. This group of four are recent works in watercolour, all showing landmark buildings of King’s Lynn, with the common themes being people and the evening light. I’ve titled them “festival” paintings as to me they suggest the buzz of the King’s Lynn Festival (coming up soon in July), with warm evening sunshine and the chance for folk to wander round the town.

painting of red mount chapel kings lynn
Festival Evening – Red mount Chapel, King’s Lynn. Watercolour 47cms x 32cms.

painting of king's lynn custom house
Festival Evening – King St. King’s Lynn. Watercolour 47cms x 32cms.

painting of st nicholas chapel king's lynn
Festival Evening – St Nicholas Chapel, King’s Lynn. Watercolour 47cms x 32cms.

painting of greyfriars tower kings lynn
Summer Evening – Greyfriars Tower, King’s Lynn. Watercolour 47cms x 32cms.

From the exhibition – Sunday 8th June 2014

Well, here I am in the Shakespeare Barn, king’s Lynn Arts Centre. surrounded by eighty-two of my paintings, and there are still just a few left at home! This is the start of my celebratory exhibition, Stephen Martyn at 21, which opened on Friday evening and runs now until Saturday 21st June.

Muddy Farmyard Norfolk
I promised a glimpse of some of my oil paintings in the last post, so here they are. Muddy Farmyard Norfolk. Oil on board 16″ x 12″.
Farm in Upper Eskdale oil painting by Stephen Martyn
Farm in Upper Eskdale, Cumbria. Oil on board 16″ x 12″
Rainclouds over the Marsh, Burnham Overy. Oil painting by Stephen Martyn
Rain clouds over the Marsh – Burnham Overy. Oil on board 16″ x 12″

Already we’ve had quite a crowd of visitors. The Private view was a great evening, buzzy, with warm summer sunshine and some excellent jazz music from my friend Mike Smith and his trio. Lots of familiar faces but plenty of new ones too and yes, paintings were sold. The first full day, Saturday was also busy with a constant stream of visitors doing the rounds of the four galleries here. I’ll feature the other exhibitions in a future post, but they are all very varied and all well worth a visit.

Today Sunday, it’s quieter, perhaps because the weather is so good that people are out in their gardens or on the coast, but nonetheless we have had people in and there have been some nice comments.

Over the run of the exhibition I will endeavour to post on this blog most days, and to feature two or three pictures from the exhibition in each post. Do try and get along to see them for yourself! Margaret and I will be here most of the time, from around 10.15am until close at 5pm. The galleries are in the courtyard behind the Guildhall in King St. King’s Lynn, and you’ll spot my banners at the entrance to the complex. There’s lots of information about the Arts Centre on its website kingslynnarts.co.uk including maps and directions.