Category Archives: New Paintings

New Paintings for autumn 2023

I’ve been busy in my garden studio over the past month or two and the reason is, of course, that I’ve got an exhibition coming up! Here are a selection of images of new paintings that I will be showing at the Five Painters exhibition, where I will be sharing the space in Thornham Village Hall, Norfolk, with four of my artist friends. The show runs for two days, Saturday and Sunday 7th and 8th October, open each day from 10am until 5pm. Admission is free, although we will be fundraising for the local Stroke Association group, so please be generous with your donations.

There’s much more to see from all the artists, so do call in if you’re in the area. The hall is on the Main Road at Thornham, North Norfolk, PE36 6LX, just adjacent to the popular Thornham Deli and shop. Look forward to seeing you!

Rainy Day Paintings

By way of something different, I decided to do a series of urban scenes, with a ‘rainy day’ theme. This isn’t a new idea for me, I did a rainy evening in Lisbon painting a while ago which swiftly sold, but this is the first time I’ve painted scenes of King’s Lynn in this way.

I still feel that I’m finding my way with this subject but nonetheless I was reasonably pleased with my efforts. They also met with approval from the Selectors of the West Norfolk Artists Association exhibition which is currently running in St Nicholas Chapel, King’s Lynn. All three paintings were selected and you can see them along with some 200 other fine artworks until 1.00pm on Tuesday 3rd September 2019. The exhibition is open every day from 10.30am – 4.30pm, except on the last day when it closes early to allow for the take-down during the afternoon.

King's Lynn Custom house rainy day painting
Rainy Day, King’s Lynn. Custom House. Watercolour 14ins x 14ins.

St Nicholas Chapel Kings Lynn rainy day painting
Rainy Day, King’s Lynn. St Nicholas Chapel. Watercolour 14ins x 10ins.

King Street Kings Lynn rainy day painting
Rainy Day, King’s Lynn. King Street. Watercolour 14ins x 10ins.

Art Trail and New Paintings

The Dersingham Art Trail will be opening this weekend, as part of the annual Dersingham Open Gardens event. Around fourteen artists will be taking part, including myself, of course! The Open Gardens event is a fund-raiser for the new Village Centre and for St Nicholas Church, and usually raises a substantial amount each year. Tickets costs £5 on the day from the Village Centre, 83 Manor Road, Dersingham, PE31 6LN, or you can save a £1 by buying in advance from Dersingham Post Office.

Most of the artists taking part are opening their gardens too, so there’s plenty to see. Your ticket will get you a programme and a map with all the details.

Here at Alexandra Close, Margaret has been busy in the garden and it’s looking good, with a riot of colour. Meanwhile, I have got some new paintings to show, plus prints and greetings cards. Do come and have a look and a chat!

11.00am – 5.00pm Sunday and Monday 26th – 27th May 2019.

Sunset at Thornham Harbour
Sunset at Thornham, in a bygone era. Watercolour 22ins x 15ins.

Early Evening, Thornham Harbour
Early Evening, Thornham Harbour. Watercolour 22ins x 15ins.

Working on Winter Trees

I’ve been busy with various projects here in the studio, so I haven’t had much time to just make paintings for me. However, a couple of winter tree scenes have fallen off my brush in the past few weeks and you can see them here.

Shadows in the Lane
Shadows in the Lane. Watercolour 15ins x 11ins. on Arches 140lb rough paper.

Both watercolours feature a very limited palette of colours. Shadows in the Lane uses Prussian Blue, contrasted with an orange mixed from Burnt Sienna and Lemon Yellow. Blue and Orange are two of my favourite complementary colours.

Sandringham Winter Trees is French Ultramarine Blue based, with touches of Burnt Sienna, Alizarin Crimson and Quinacridone Gold.

Sandringham Winter Trees
Sandringham Winter Trees. Watercolour 15ins x 11ins on Arches 140lb rough paper.

These are simple compositions, but they still need careful thinking about colour, tone and brushwork. Feel free to have a go at something similar yourself!

New Works for the Art Trail

As you may have noticed, there haven’t been many new Blog posts lately. That’s because, apart from a bit of teaching, art has had to take a back seat for the past several months due to my involvement with the new Dersingham Village Centre, or village hall. The Centre is open now and I’m sure there will be art exhibitions there at some point in the future, but there’s still a lot of work to do, as with any new building.

Painting of High Force Teesdale
High Force waterfall, Teesdale. Watercolour 15ins x 11ins.

However, the end of the year is always Art Trail time, with the Dersingham Art Trail members opening their studios to welcome visitors. This year’s event was last weekend and in the couple of weeks or so before it I managed to squeeze in some time in the studio to make a few new watercolour paintings to show. You can see them here, a couple of scenes from favourite locations in the North of England and one much closer to home, the Norfolk village of Great Massingham. The three paintings shown here are all for sale, so do get in touch if you’re interested. Or just enjoy looking at them!

painting of snow at Great Massingham
Snow at Great Massingham. Watercolour 15ins x 11ins.







Painting of river Esk, Cumbria
Rushing Waters, Eskdale, Cumbria

Thornham Harbour and Pen-y-Ghent

Yes, they don’t really go together, being at opposite ends of the country, but yet, in painting, terms, there are similarities. As I’ve written before, one of the themes that constantly recurs in my paintings is that of big skies and wide open spaces. Here you see two recent works that both embody that theme.

Thornham Harbour Norfolk at high tide sunset
Last Light at Thornham Harbour. Watercolour 15ins x 22ins.

Thornham Harbour is just a few miles from my studio and I often paint views of it. Here I decided to focus on the incredible high tides that come into the harbour from time to time, often in the evening. The water in the creek just keeps on rising, flowing silently over the road until the famous Coal Barn is surrounded, like a stony island in shimmering sea.

Pen-y_ghent view from Pennine Way
Pen-y-Ghent from the Pennine Way. Watercolour 15ins x 22ins.

Further north, the Yorkshire peak of Pen-y-Ghent also stands like an island in a sea or greens and browns. It’s quite a few years now since I walked the Pennine Way, but I still like to revisit those scenes in paint. This view is taken from one of my photos that I took while walking the Way, between Horton-in-Ribbledale and Hawes.

Painting the Eiger

Well, not literally, but a painting of the Eiger anyway! This was a simple study that I did with one of my students who comes to the studio for one to one tuition. She had painted a mountain view in oils and I thought it would be nice to tackle a similar subject in watercolour. I had a photo of a Swiss train running on a line beneath the huge bulk of the Eiger, so we used that as a reference but left the train out and substituted a skier, or maybe someone snowshoeing, anyway a distant figure. This can be a great way of showing scale in a simple landscape painting, with the mountains towering above.

watercolour painting of the Eiger, Switzerland
Demonstration study of Swiss mountains. Watercolour 11ins x 15ins.

The painting itself is actually deceptively simple, there are several stages to it, building up texture and tone on the mountains and the foreground. The main colour used is Prussian Blue, which is very transparent, allowing previously painted features to show through the washes. As someone once said, it’s like painting with coloured sheets of glass. The blue was modified in some of the washes to make various greys, adding a little Burnt Sienna and Quinacridone Red to the Prussian Blue.

Probably the trickiest part of the painting was the first wash, the sky. To get a completely even wash requires several things. Plenty of watery paint, a large brush (I used a 1 inch flat sable and synthetic brush by Pro Arte) and practice. I turned the paper upside down and painted downwards from the top of the mountains to the top of the paper. A shallow angle on the board makes the paint run smoothly, we hope! Load the brush well, use the minimum of brush strokes and as soon as you reach the top of the paper, leave it alone! Take up any water that collects on the edge of the paper, using a damp brush or kitchen paper. Make sure the wash is completely dry before moving the board otherwise any wet paint will run back into the drying area and create a mark.

Simple but quite effective. This painting was on a quarter imperial sheet of Waterford  300gsm  NOT paper and using good quality paper like this certainly makes the job easier. Using the best quality materials won’t paint the picture for you, but it does help!

New Paintings June 2018

I just thought I’d add a little gallery of paintings that I’ve made over the past few months.  Eventually these will make their way on to my main website, but in the meantime I hope you will enjoy looking at them here.

If you are interested in any particular work, please use the details on my Contact page to get in touch. Some of these paintings have already been sold, but I am always happy to paint something not the same but similar. I also sometimes have A4 sized prints available.

New Painting of Cley Mill

Is there anywhere in Norfolk more painted than Cley Mill? Maybe not, although Burnham Overy Mill must run it a close second. However, apart from a few pen and wash demonstrations, it’s years since I last made a painting of this iconic landmark.

The opportunity to remedy that came last week, when I visited Spalding Art and Crafts Society for a watercolour demonstration evening. I wanted to choose a subject which would show the beauty of a simple watercolour, painted in a very limited palette of colours, and Cley Windmill fitted the bill perfectly. I kept the composition simple but made sure that the mill and buildings made a good statement against the sky. Don’t be afraid to use strong tonal contrasts in a subject like this, from white to almost black.

My palette of colours was simple in the extreme. Just two, one blue and one red. I used French Ultramarine for my blue and Brown Madder for my red, but a similar effect could be obtained by using Cobalt Blue and either Light Red or Burnt Sienna. But I like Brown Madder as it makes nice, slightly purple, darks when mixed with Ultramarine, and it can be varied from pale pink to reddish-brown by using more or less water with it.

The Spalding group were lovely people to paint for and it was a very enjoyable evening. When I got home, well after a few days actually, I looked again at the painting and decided the tower of the mill needed a little more fine tuning as it was looking a bit lop-sided. Often, it’s only when looking at a painting with fresh eyes that I can spot something that just needs a small adjustment. For that reason, I’m never in too much of a hurry to sign and frame a work, but prefer to look at it for a few days. However, there is a danger in this – fiddling! Only do what you feel to be essential, then put the brushes down.

I was pleased with the finished painting and will be showing it in the West Norfolk Artists Association spring exhibition, which is coming up soon. Thornham Village Hall, from Friday until Monday of the Easter holiday. 10am – 5pm on each of the four days. Do try and call in, if you’re in the area!

Watercolour painting of winter sunset at Cley-next-the-sea windmill.
Winter Sunset, Cley Mill. Watercolour 20ins x 13ins.

Wide Open Spaces

Watercolour painting of pink footed geese flying over fields
Geese over the Fields, Dersingham. Watercolour 15ins x 22ins.

Those of you who know my work will know that I love those wide open spaces in the landscape. The beach, the fields, and of course the sky! Here are a couple of recent watercolour paintings that certainly have that theme. These, and more, will be on show in my studio for the Dersingham Art Trail event on the weekend of 25th and 26th November. Not only my own studio but eight others will be open around the village. You can find details and a map of studios on the Trail website

Watercolour painting of the sky and beach near Hunstanton cliffs
Alone with the Sky, Hunstanton. Watercolour 11ins x 15ins.